Hey, so...
When I started this, I was two weeks through literally becoming this amplifier,
Once I resurrected my tiny demon, I allowed myself catch up on the parts of my life (all) that suffered because of the obsessive monkey; my back aclaw.
In that space of time I have been able to play guitar again--
sweet fucking christ...
and with that I have been able to establish hard communication between the Avid 11R and Propellerhead Reason, my preferred DAW.
This involved a lot of experimentation with the 11R PAD switch (-24db attenuation) and Diablo -30db / 0db switch.
In my experience, I'll forget how hard knobs are set or bump a sensitive knob, hah, and subsequently spend two days trying to figure out how it was positioned. As such I wanted to leave the gain allllll the way down on the 11R XLR in. Pad switch position not important, easy error to fix once it finds a proper attitude.
What I ran in to as far as problem:.:;;;;
-amp signal from XLR out too low or clipping during manipulation of -30db switch. Too loud in the headphones or too quiet, no comfortable position across 11R master volume control
*Avid 11R Rig balancing was the final finger hole for this one. Set at like -12db or something.
Set to 0db (max clockwise).
Set Diablo to -30db on XLR out.
Set 11R PAD off.
Set 11R MIC gain off (max counterclocks)
Bingo
levels with distortion are halfway up the channel monitor, Sound liek God.
From there it's been all gens d'arms and dicks stitches.
I have been speaking with the engineer who designed our flavorite favor of amp, less frequently than I would like to have be the truth, Though he is unable to support modifications to the amplifier, our discourse has been very informative. So I plan on doing something with that in the near future.
&Probably going to make soundbites available for fun or something.
&Maybe videos
&more pictures
tired.
When I started this, I was two weeks through literally becoming this amplifier,
Once I resurrected my tiny demon, I allowed myself catch up on the parts of my life (all) that suffered because of the obsessive monkey; my back aclaw.
In that space of time I have been able to play guitar again--
sweet fucking christ...
and with that I have been able to establish hard communication between the Avid 11R and Propellerhead Reason, my preferred DAW.
This involved a lot of experimentation with the 11R PAD switch (-24db attenuation) and Diablo -30db / 0db switch.
In my experience, I'll forget how hard knobs are set or bump a sensitive knob, hah, and subsequently spend two days trying to figure out how it was positioned. As such I wanted to leave the gain allllll the way down on the 11R XLR in. Pad switch position not important, easy error to fix once it finds a proper attitude.
What I ran in to as far as problem:.:;;;;
-amp signal from XLR out too low or clipping during manipulation of -30db switch. Too loud in the headphones or too quiet, no comfortable position across 11R master volume control
*Avid 11R Rig balancing was the final finger hole for this one. Set at like -12db or something.
Set to 0db (max clockwise).
Set Diablo to -30db on XLR out.
Set 11R PAD off.
Set 11R MIC gain off (max counterclocks)
Bingo
levels with distortion are halfway up the channel monitor, Sound liek God.
From there it's been all gens d'arms and dicks stitches.
I have been speaking with the engineer who designed our flavorite favor of amp, less frequently than I would like to have be the truth, Though he is unable to support modifications to the amplifier, our discourse has been very informative. So I plan on doing something with that in the near future.
&Probably going to make soundbites available for fun or something.
&Maybe videos
&more pictures
tired.
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